Performance Documentation: August 2005  
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Wednesday, August 31 8:30 pm, corner of Foster and Clark. In much the same way as Ariella's choice of one of the 739 Words on Loneliness was a form of divination, I find myself leaning over my milk crate of 739 Cups to find one that feels appropriate for that day. It's a big responsibility when I only get to choose one of Eric Klinenberg's words.

A cup of water that said "denial" was installed in a shadow box in the heart of Andersonville. Photos by Katherine Klein.

    Tuesday, August 30 1:00 pm, Garfield Park Conservatory: collaboration with the Center for Community Arts Partnerships. Mapping Joy in our Bodies. My colleages outlined each others' bodies on the pavement, then each told a story and marked a representation of joy on their outlines. Then each of us traced that place to the location of someone else's bodily happiness. There were sparkling feet, pulsing guts, strong thighs, and third eyes--all connected toe each other.
    Monday, August 29 9:00 pm, lonely Pratt Beach. At the precise moment I am forced to admit that I fear my lack of artistic inspiration will disappoint the one who thinks she's hanging out with an exotic performance artist, my eyes focus on two beautiful spirals in the sand, connected by a road. A symbol of infinity, imprinted by someone's shoe. Indi's idea was to frame it with twigs and point an arrow to it. She is right that so often, framing something makes it art; and loving attention makes it precious.
 

Sunday, August 28 Ormes Lake, Upper Penninsula of Michigan. On Saturday afternoon I had blood on my mind.

Blood from the Earth and Water: installation of red rocks, leaves, and lillies at the public boat launch. When we cruised by it in the canoe, Indi assumed it had been left for us by someone fishing on the lake.

 
 

Saturday, August 27 Dusk, Ormes Lake, Upper Penninsula of Michigan. Collaboration with Indi McCasey.

In the absence of a religious or cultural tradition that we can call upon to express our connection to a place, we make up our own dances. Tonight Indi demonstrated how to circle in the road, pausing to gather a triad of breaths. And I demonstrated that such a gesture of reverence will never seem silly to me.

 

Friday, August 26 Highway B and Ormes Lake, Upper Penninsula of Michigan.

Left in mailbox:

Dear people whose box is number 43, you don't know us, but we are artists who would like to make a performance in your honor. On Friday, August 26, we will do 43 somersaults in the water.

Sincerely,

Nicole & Indi

 

Seven Things we Love about Summer:

(list to follow)

Thursday, August 25 Portage, Wisconsin: collaboration with Indi McCasey. Seven Things we Love about Summer. The moon rose orange and one of us adjusted her ears to the sound of cicadas. We assigned seven ice cubes the tasks of representing what we love about summer and then watched them melt, running across the pavement to nourish the grass.
  Wednesday, August 24 9:00 pm. Spotlight on International Decade of the World's Indigenous People, installed on the steps of the current Rogers Park Community Church, former Congregation B'Nai Zion. The flashlight evokes a follow spot, so whatever is happening in its pool of illumination must be a performance, right? That's what a follow spot does: it tells the audience exactly what to look at. Yes, there are three rings of the circus, but the action is in the spotlight. In the case of Monday and today, perhaps I imply that the one focusing the light is also a performer. Tonight audiences were invited to examine a scroll of paper wrapped in gray felt and tied with twine. Inside the scroll was an explanation of the United Nations decade dedicated to indigenous people, about which I knew nothing before tonight: a ten-year human rights project that escaped me until its close.

Saxophonists who died in 1995:

James Clay
George Richard James
Wilton "Bogey" Gaynair
Julius Arthur Hemphill
"King" Herbert Whitaker
Marshall Royal
Edwin "Russel" House
John E. Gilmore
Junior Walker

   

 Tuesday, August 23 7:00pm, Hothouse. Nick Bisesi Quartet CD release party. The CD is called Gemini, and Nick wrote all the songs and plays sax. Unfinished performance #2, documentation as yet incomplete. I spent part of my evening listening to jazz and combing through a long list of famous people who died in 1995, looking for saxophonists. Then I wrote an email to Nick:

I was wondering if you would indulge me a bit. Without doing research or going through anxiety, I was wondering if you could write me a little about anything you know and/or like about the following saxophonists who all died in 1995. If you could do it in the next day or so that would be awesome. Thanks so much.

 
  Monday, August 22 Katherine and Erica are back from South Africa so there was red wine & wasabi peas on the porch while a flashlight and batteries waited in my bag for inspiration to strike. There were stories of South African mountain hikes and artists who make jewelry from telephone wire and a lesbian rugby-player wedding. And what I had to report was a summer filled with profound happiness that I'm trying to make conscious. Katherine asked, what has made these past few months different for you? And she answered: Presence. So I installed Presence against the tree in front of their apartment, and called her from my walk home to say, go look.
  Sunday, August 21 Plañidera/Moirologist of the Heat Wave. In his poem "Plañidera: Professional Mourner for Hire," Rigoberto Gonzales writes about the widow who makes a living crying at the funerals of wealthy men who die with no one to grieve them. A mourner for hire is also called a moirologist. This afternoon I glimpsed someone else's performance of grief, in a graveyard next to the road. She had brought a small blanket to kneel on, as if she expected her keening to go on for a while. I went to St. Boniface cemetary and looked for the grave of someone who died in 1995. I offered gravesite weeding and a note, and spent some time grieving a stranger who died 10 years ago.
       
  Saturday, August 20 7:30 pm, Elmhurst, IL. The dance consisted of four steps. The dancers 2 and 4 years old, but already quite accomplished movers. They were greeted with a request to follow instructions, which they found taped to the sidewalk leading into the house. The gestures were 1) Hop on one foot, 2) High Fives, 3) Spin around, and 4) Clap.
  Friday, August 19 8:30 pm, Pratt Beach. The moon rose full and hot straight out of Lake Michigan tonight and then blazed across the water. Continuing the theme of leaving things for someone to find: I put a message in a bottle someone else left on the beach for me to find and remembered the project Katherine and I did years ago when we asked people to write letters to their mothers and/or daughters and put them in bottles.
 
  Thursday, August 18 Poem 739 at Leah's Train Stop. Writing graffiti on Chicago Transity Authority property made me keenly aware of the privileges of being white, female, and 35. I can go wherever I want with a Sharpie in hand, and no one blinks. So I copied Emily Dickinson's Poem 739 on a CTA bench on the southbound platform at the Damen Brown Line stop.
Wednesday, August 17 Birthday songs for Leo. Collaboration with Alice Lowenstein. Leslie was 44 yesterday, and Alice had a hankering to sing her a song we wrote for her many years ago, the year we decided that we would take existing songs and write new lyric's for Leslie's birthday. There was one to to the tune of "The Girl from Ipanema," one to "What's New Pussycat?" and the one we sang last night, to the tune of "Frank Mills" from the musical Hair. We got Alice on the speakerphone from Boston and tried not to cry. A while later Leslie admitted to having read on my web site that I was singing Jackson Browne songs but felt to shy to make a request. So I also sang her Looking into You. Left: Leslie, Alice, Nicole. Photo by Katherine.
 

Tuesday, August 16 Sunset. A Dozen Good Deaths: collaboration with Leah Mayers. Leah recently e-mailed to ask if I was ever going to actually plan/schedule something that she could come see. That feels like too much of a commitment right now while HEAT:05 is spiraled in. I told her I'd bring the art to her. Leah also told me about a TV program in which people were asked what they thought was a good death.

So I asked some people what they thought was a good death. I wrote all of these, and my own, on pieces of Joss paper and went to Leah's apartment. She wasn't home so I left them in a package for her with instructions to add her own good death and then burn them all. The photos on the right are her documentation.

Thanks to Joe, April, Monica, Henry, Tabitha, Edda, Heidi, Linda, and the security guard in the Congress building.

     
     
 

Monday, August 15 8:00 pm, Pratt and Ashland. Mis-labeling the Plants of Rogers Park: or, Wishful Thinking. The source material for this work came from Friday, August 12. On my way to the Garfield Park Conservatory for a meeting, I was stopped by a child of about 9 who asked me if I was going into the conservatory. I said yes. She said she had a project to do for school about plants but they didn't let kids alone into the conservatory. She was with an older brother (maybe 10) and their 14-year-old sister. I asked her if she wanted to come in with me. I don't remember her name. It began with an A. So in the wicked heat and humidity of Friday afternoon, A. and her brother and I took it up a notch by wandering around a greenhouse making a list of plants. When she was satisfied with her list of 15 plants to investigate for her school report, I delivered them back to their sister and went to my meeting. For the record, I asked her if I could take a picture of her making her list, but I try not to photograph the faces of children without permission from a guardian.

Tonight I took some plants from A's list and made copper plant tags, which I used to mislabel the plants and trees of Rogers Park.

 

Poem 739
by Emily Dickinson

I many times thought Peace had come
When Peace was far away-
As Wrecked Men- deem they sight the Land-
At Centre of the Sea-


And struggle slacker- but to prove
As hopelessly as I-
How many the fictitious Shores-
Before the Harbor be-

 

Saturday, August 13 8:30pm, NeoFuturarium. I can't lie. I left the house to go see my girl Lisa in Too Much Light Makes the Baby Go Blind having neither a) made a performance, nor b) a plan of any kind. I did manage to take along my battered copy of Emily Dickinson's Poem 739.

While I was waiting for the show to start, I saw someone walk through the space, and I knew I knew him from somewhere, but I could not place it. Then I read my show program, which acknowledged the "technotastic technifitude" of...Scotty.

I think the techie for this show is the person who made newspaper hats for me and 6 other people on the train on Monday August 8. Obviously he would have to be the recipient of tonight's performance. I decided to borrow his formal structure: no words, no explanation beforehand, just presentation of the work, and then a handshake afterward. So while everyone else filed out of the theatre after the show, I walked back up to the corner where Scotty waited in his booth, looked at him, and read him Emily Dickinson's Poem 739. Then I shook his hand, introduced myself to him (for the 2nd time), and left.

  Saturday, August 13 7:30 pm, Pratt beach. After it had rained most of the day, the sand was primed for scratching out words. The idea was to write Emily Dickinson's Poem 739 in the sand off of the pier so that people walking by could read it. I think people were plenty interested in the act and in the resulting text, but it could not be read from the pier unfortunately. I'll have to work out the technical aspects in the future. But that didn't stop the guy in the white T-shirt from taking his own photos of the work.
 
  Friday, August 12 6:00 pm, Garfield Park Conservatory. When it's 90 degrees and 100% humidity in Chicago, and yet one chooses to go inside of a greenhouse and experience a rainforest climate, that seems like enough of a performance. Read about that later. Today I filled 3 of the 739 cups from the fountain in front of the conservatory and installed them among the plants and stone. The work was witnessed by someone who parted the leaves to ask me for food. I passed her half of a brownie through the plant over my cups.
Thursday, August 11 residents of Chicago be warned: everything you do is potential material for me. Take the person who walked up behind me and passed me walking home. Ever since the night, a couple of years ago, when I got groped from behind walking home from the train at night, I am alert to the sounds of approaching feet, and I take a more proactive posture: actively get out of the way and let someone pass. Anyway, this person now walked in front of me doing something a little unusual: he slapped his own left ass cheek a few times, and then looked back behind his left shoulder. Now if if he had only done it once, I would have thought it was some bizarre gesture toward me. But he kept doing it. So I did it too. I stole his dance. I made the loudest ass percussion I could, and looked behind my left shoulder, over and over again all the way home.

Tuesday, August 9 & Wednesday, August 10 7:39 pm, 7:39 am respectively. Over the course of our friendship Indi has asked me about 15 times if people really swim in Lake Michigan off the coast of Chicago. Every time I say sure! Tons of people swim! It's great!

But I have a confession: I have never been swimming in Lake Michigan off the coast of Chicago. Over a decade living in the city, all this time spent making art at the beach, and I've never actually gone in the water.

So I took 3 of my cups (739 potential fluid ounces) and stuck them in the sand at Pratt Beach. At precisely 7:39 pm on Tuesday, and 7:39 am on Wednesday, I walked into Lake Michigan. I swam in the same waters I had stood on making beet juice stencils in January. I floated on my back among the microscopic remains of dying-wish bread and tabasco sauce. I saw the people I want to become: stocky seniors who meet their friends at 7:30 am for a dip, chatting in Russian.

And then I dripped these juices off of my body and directly into my cups.

 
 

Monday, August 8 Katherine writes this e-mail today from South Africa: it occured to me that this project has broken through to something very human in you that before came out only at certain times. don't get me wrong miss nicole. i just know that you tend to shield in public space and for good reason. i know how it is to be open to the world and have it go terribly wrong. i just have noticed that you are more open to the world and i feel it is a good thing. it only makes you more handsome. beautiful. full.

I had no performance plan on the train home tonight. But across the aisle from me was a person taking sheets of newspaper from his neighbor and folding them into paper hats. He then silently offered them to people on the train car: just made eye contact, smiled, and held out a hat. He got six people to wear them on the train, including me. Sometimes if people refused he would gesture around the train as if to say, "all these other people are doing it..."

His stop was Bryn Mawr, but before he left he shook hands with all of the participants in his performance and introduced himself as Scotty. I wore my hat all the way home. Coincidentally this costume was witnessed in the parking lot of the 7-11 by Nicole, to whom I gave the 3 cups of sugar yesterday.

Sunday, August 7 5:00pm. In the set of 1,000 Russian vocabulary cards Ariella gave me, #739 is "sugar." 739 grams of sugar is 3 cups. So I put 3 cups of sugar in a plastic bag and headed to the beach with a spoon, thinking I'd figure out what the piece is when I got there.

But on my way through the alley I was stopped by two girls who called to me through the fence to see if I wanted to some lemonade. I said sure. It seemed like it might have occured to them just that moment to have a lemonade stand, because they actually had no lemonade. But they offered me a milk crate to sit on while I waited for them to make it. This process took about 15 minutes and several apologies, but I wasn't in a hurry.

The girl who chatted with me while her friend made the lemonade was Stephanie. She also ran several times down the sidewalk to the apartment where the lemonade was being made, and then signaled to me from a distance that it would just be a moment. I found out Stephanie was raising money to buy school supplies. She had everything she needed except erasers. She had also been selling decorated picture frames and some of her clothes. I bought a beaded bracelet from her, too. She was asking 5 cents for the bracelet, I gave her a dollar. Her mother's name is also Nicole. The lemonade was pink and cold. Since I had so much time to get to know everyone, I pulled the bag of sugar out of my bag and asked them if they thought they could use it. I told them I had used it for something but this was left over, and I was trying not to eat sugar. They took the sugar.

Saturday, August 6 7:00pm, McClean County Fair, Normal, IL. Collaboration with Renee. Continuing the theme of leaving things for people to find, I bought a cool new spiral notebook and instructed the finder to write something beautiful. It was Renee's idea to leave it for someone to find near the Ferris wheel. She and I had a good conversation about the idea of giving a present to someone you don't know.
Friday, August 5 2:30pm. For The Masses who do the City's Labor Also Keep the City's Heart. This is the inscription at the Nelson Ahlgren Fountain at the meeting of Division, Milwaukee, and Ashland streets. Right now this tribute to Chicago's workers is a gathering place for people who seem pretty down and out. Right after I arrived a man bathed his top half in the fountain, also doing some makeshift laundry. I tried to consider what would be the labor needed in this spot? So I found a plastic bag and spent some time cleaning up cigarette butts and garbage from around the fountain.
   
  Thursday, August 4 Community art project at Ariella's barbecue. It's the new moon, and Joss & Christine are moving to Texas. Guests at the party were given pieces of twine to tie to Joss & Chris with good intentions for their future life. Left: Ariella ties to Joss' ankle.
    Wednesday, August 3 Seven Lengths of Twine Find their Way into the world. The knotted twine from August 1 has been released to various sites around Chicago, including two in Daley Plaza.
             
 

Tuesday, August 2 Midnight. Waning Moon Ceremony of Gratefulness. It always makes me sad that the beginning of August feels like the end of summer. So knowing that the moon was waning, it was time to say thanks.

             
    Monday, August 1 8:30 pm. 39 Knots in 7 Lengths of Twine: a collaboration with Katherine Klein, Erica Mott, and Lisa Kaplan. Why work with twine? No other reason than the fact that lately all I can do is mine and steal the ideas of my artist friends, and Liz told me she was packing twine for her 5-day artist retreat.
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